Get Ready for an epic day of amazing Music

Headliner:

Shane Smith and the Saints

It ain't black or white, babe; it's all the greys between,' Shane Smith sings in 'The Greys Between,' the first single from Norther. On the surface, it's a cinematic love song about a relationship's twists and turns, punctuated by slide guitar, Appalachian fiddle, and sharp storytelling. Take a deeper listen to Shane Smith and the Saints' fourth studio album, though, and those words also sound like the motto of a band that's spent the past decade blurring the lines between genres.

Norther is anything but monochromatic. Written and recorded during breaks in the band's touring schedule, the album captures Shane Smith and the Saints at their most colorful, offering up a hard-hitting version of American roots music that's influenced by country, folk, and roadhouse rock & roll. It's a sound that's been shaped by the road, where the Saints spent the past decade on tour, building a cult audience with each gig. Those years of raw, redemptive performances are now paying off not only with headlining concerts at bucket-list venues like Red Rocks Amphitheater (which the group sold out in 36 hours) and the Ryman Auditorium, but also with an appearance on the hit TV show Yellowstone, where the Saints premiered Norther's final track, 'Fire in the Ocean,' with an onscreen performance.

If you spend 10 years playing dive bars and small clubs almost every single night, and you go to the merch booth after every show and hang out with the fans until the staff literally kicks you out, you get to turn those fans into friends,' says Smith, who grew up in Terrell, Texas, before launching his band in Austin. 'That's how we built this thing. We've done as many as 240 shows in a single year. We've worked so hard to get there, and that hard work has created a beautiful, meaningful audience.'

Beautiful, indeed. Named after the northern winds that blow across Texas during the winter, Norther begins with the haunting 'Book of Joe.' Bennett Brown's fiddle gives the song plenty of orchestral atmosphere, Dustin Schaefer's electric guitar adds anthemic punch, and Zach Stover's percussion which builds toward a pummeling finish, locking in with Chase Satterwhite's bass along the way rolls like thunder. At the center of that sound is Smith's voice: a husky baritone that's been textured by countless gigs in smoky bars and loud dance halls. It's a gorgeously raw instrument, caught halfway between tender and tough, and it's there somewhere in the middle that the Saints shine their brightest.

When you're in a band like ours, everyone gets their turn to play their music in the van,' Smith explains. 'Bennett grew up listening to Appalachian and Celtic-inspired folk and bluegrass music, and you can hear that in the way he plays fiddle. Dustin grew up loving classic rock. When I met my wife, she introduced me to music like Arcade Fire, Alberta Cross, and First Aid Kit bands that I'd categorize as cinematic folk or cinematic indie-rock and that had a massive impact on my writing, too. Everybody in this band has their own influences, and we've spent years together, letting our sound evolve into something really unique.

That sound began evolving onstage. Thanks to early albums like 2013's Coast and 2015's Geronimo, Shane Smith and the Saints became a popular act in Austin, regularly cutting their teeth with marathon gigs at venues like The Stage On Sixth. 'We'd do four-hour sets, sometimes back-to-back, meaning we'd be onstage for eight hours,' Smith remembers. 'It taught us to grow tighter as a band, experiment with our sound, and find our identity.

Released in 2019, Hail Mary introduced the band's current lineup, as well as a heavier sound that separated the Saints from other Texas acts. It wasn't rock & roll. It wasn't country, either. It was everything that connected those genres, glued together by the camaraderie of a road-tested band that built its audience the old-school way: by hitting the stage and winning over the crowd, song after song, night after night.

Norther builds upon that singular sound while also highlighting the bandmates' road-warrior chops. 'We'd be on the road doing shows, and there would be a 48-hour gap where we'd fly into Dallas and try to record everything we possibly could, then fly right back to wherever the bus was,' says Smith, who tapped producer Beau Bedford to helm the album. 'It was like that for the entirety of the recording process.' The result is an album that's filled with all the electricity and eclecticism of the Saints' live show. For the band's country-loving fans, there's '1000 Wild Horses,' which barrels forward at a rootsy gallop. For rock fans, there's 'Fire in the Sky,' which makes room for fiery fretwork and a massive chorus. For those looking to slow dance, there's 'All the Way,' a threadbare piano ballad captured live in the studio, imperfections and all. 'Norther has little bit of everything,' Smith says proudly. 'It's not a one-sided album. It's got every single element of what makes up our sound right now.

For an independent band like Shane Smith and the Saints, the work is never done. 'It's like you can't help but feel like you've paid your dues to get to a certain spot, but once you get there, you realize you're just starting to touch the surface of the bigger picture,' Smith admits. 'At the end of the day, it still feels like we're getting discovered. But maybe that's what it's all about.' Norther is the soundtrack to that discovery. It's the sound of a band pushing its limits, broadening its reach, and expanding its audience.

Co-Headliner

Cody Canada and The Departed

Cody Canada and The Departed is made up of Cody Canada, famed front man and song writer of Cross Canadian Ragweed, a huge influential band of the Texas and Red Dirt Country scene that dominated for more than fifteen years. In 2011, Canada formed The Departed and joined up with bass player Jeremy Plato and drummer Eric Hansen.

Co-Headliner

 Dylan Wheeler

Dylan Wheeler is a perfect example of what the evolution of the Texas Independent Music Scene looks like and the level of artist that it can produce. His music has all the singer-songwriter laden depth that lyric lovers covet, while his blending of both Rock and Alternative genres allows his original productions to feel comfortingly familiar whilst simultaneously breathing a gust of fresh air into a scene that has long been saturated by its Country roots.

Opener

Shea Abshier

Shea Abshier is a regular to the San Angelo scene and can be heard playing at Blaine's quite regularly!

Opener

Tristan Graves

Tristan Graves is a west Texan that attended Texas A&M and now resides in Lubbock furthering his music career. He is also a student at Texas Tech.

Opener

Gage & The Grease Monkeys

Gage & The Grease Monkeys is a Texas rock n roll band from right here in San Angelo!